By Temidayo Badmus
A quiet but compelling buzz is building in the Afrobeat scene, and it is centered on a name many listeners are only just beginning to encounter: Ijeoma Ossai, professionally known as OMA.
In just over five weeks, her debut single “Call Me OMA” has surpassed 62,000 streams on Spotify, an impressive early milestone for a first-time release.
The song dropped on December 12, and as of January 19, its steady climb reflects growing organic discovery rather than hype-driven virality.
At only 20 years old, OMA represents a fresh generation of African artists blending Afrobeats rhythms, hip-hop grit, and global pop polish into a sound that mirrors the confidence and creative freedom of Gen-Z listeners.
“Call Me OMA” serves as a bold self-introduction—high-energy, hook-driven, and unapologetic—positioning her as a fearless new female voice ready to claim space in a crowded market.
The consistency of the song’s streaming growth has drawn attention from early adopters and industry observers alike, suggesting an artist whose appeal lies in identity as much as sound.
Listeners describe the track as instantly memorable, a quality that continues to fuel repeat plays and discovery.
Building on this momentum, OMA is already preparing her next move. She is set to release a new single titled “Baby Baby” on February 14, 2026, timed for the Valentine season.
Described as a love song, the record is expected to reveal a softer, more romantic side of the rising artist—offering contrast to the bold introduction that marked her debut.
With one song already quietly gaining traction and another poised to meet listeners at a culturally resonant moment, curiosity around OMA continues to grow.
For those yet to stream “Call Me OMA,” the numbers suggest many already have—and more are following fast.